21
BODY PIERCING SON OF A GUN
ELIZA LOVER
PEOPLE HATER
DEADFUCKINGHAND!
DECIMATE!

27th May 2012

Photo reblogged from Peril with 38 notes

peril:

Laetitia, Lady Lade (1793) | art work by George Stubbs

peril:

Laetitia, Lady Lade (1793) | art work by George Stubbs

Source: peril

27th May 2012

Photoset reblogged from Ruined plans. with 46,243 notes

shakirramae:

Always

Source: robxwhite

21st May 2012

Photo reblogged from C.P. with 68 notes

centuriespast:

Worship of Ceres
graficus:   Saenredam, Jan Pietersz.
ontwerper:   Goltzius, Hendrick naar
Date of creation:1596
Museum Boijmans Van Beuningen

centuriespast:

Worship of Ceres

Date of creation:1596

Museum Boijmans Van Beuningen

Source: centuriespast

17th May 2012

Photo reblogged from C.P. with 45 notes

centuriespast:

PAELINCK, JosephThe Fair Anthia Leading her Companions to the Temple of Diana in Ephesus1820Oil on canvas, 230 x 300 cmMuseum voor Schone Kunsten, Ghent

centuriespast:

PAELINCK, Joseph
The Fair Anthia Leading her Companions to the Temple of Diana in Ephesus
1820
Oil on canvas, 230 x 300 cm
Museum voor Schone Kunsten, Ghent

Source: centuriespast

14th May 2012

Photo reblogged from Peril with 290 notes

peril:

Judith and her Maidservant (1613–1614), Oil on canvas, Palazzo Pitti, Florence | artwork by Artemisia Gentileschi

peril:

Judith and her Maidservant (1613–1614), Oil on canvas, Palazzo Pitti, Florence | artwork by Artemisia Gentileschi

Source: peril

28th April 2012

Photo reblogged from C.P. with 28 notes

centuriespast:

Hercules and CacusARTIST:Master of Year 1515DATE:c. 1505-1520

As one of his twelve labors, Hercules had to capture the cattle of the monstrous Geryon. He succeeded, only to have Cacus, a fire-breathing monster, steal some of the cattle, hide them in his cave, and then block the entrance with a boulder. Hercules used his great strength to break into the cave and beat the thief to death. The Master of Year 1515 takes a ribald approach to Cacus’s misery, sandwiching him between Hercules and the horse so Cacus is scarcely discernible. The most prominent feature of the entire print may be the horse’s rump.
The Minneapolis Institute of Arts 

centuriespast:

Hercules and Cacus
ARTIST:Master of Year 1515
DATE:c. 1505-1520


As one of his twelve labors, Hercules had to capture the cattle of the monstrous Geryon. He succeeded, only to have Cacus, a fire-breathing monster, steal some of the cattle, hide them in his cave, and then block the entrance with a boulder. Hercules used his great strength to break into the cave and beat the thief to death. The Master of Year 1515 takes a ribald approach to Cacus’s misery, sandwiching him between Hercules and the horse so Cacus is scarcely discernible. The most prominent feature of the entire print may be the horse’s rump.

The Minneapolis Institute of Arts 

Source: artsmia.org

28th April 2012

Photo reblogged from Peril with 118 notes

peril:

Watson and the Shark (1778), oil on canvas, National Gallery of Art, Washington D.C | artwork by John Singleton Copley

peril:

Watson and the Shark (1778), oil on canvas, National Gallery of Art, Washington D.C | artwork by John Singleton Copley

Source: peril

27th April 2012

Photo reblogged from C.P. with 58 notes

centuriespast:

Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out EvilARTIST:Gottfried Bernhard Göz Formerly attributed to Artist UnknownDATE:c. 1749

The Minneapolis Institute of Arts

centuriespast:

Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out Evil
ARTIST:Gottfried Bernhard Göz 
Formerly attributed to Artist Unknown

DATE:c. 1749


The Minneapolis Institute of Arts

Source: centuriespast

20th April 2012

Photo reblogged from C.P. with 52 notes

lyghtmylife:

ADEMOLLO, Luigi
Italian painter (b. 1764, Milano, d. 1849, Firenze)
Transportation of the Ark of the Covenant Containing the Tablets of the Law
1816FrescoRoom of the Ark, Galleria Palatina (Palazzo Pitti), Florence

lyghtmylife:

ADEMOLLO, Luigi

Italian painter (b. 1764, Milano, d. 1849, Firenze)

Transportation of the Ark of the Covenant Containing the Tablets of the Law

1816
Fresco
Room of the Ark, Galleria Palatina (Palazzo Pitti), Florence

Source: lyghtmylife

18th April 2012

Photo reblogged from C.P. with 39 notes

centuriespast:

MOR VAN DASHORST, Anthonis
(b. 1516/19, Utrecht, d. 1576/77, Antwerpen)
Cardinal Granvelle’s Dwarfc. 1560Oil on wood, 126 x 92 cmMusée du Louvre, Paris

centuriespast:

MOR VAN DASHORST, Anthonis

(b. 1516/19, Utrecht, d. 1576/77, Antwerpen)

Cardinal Granvelle’s Dwarf
c. 1560
Oil on wood, 126 x 92 cm
Musée du Louvre, Paris

Source: centuriespast